Album jack stauber buttercup1/12/2024 G5 (" Catapults", " Christ Potion", " Mirror Man", " Pressed Flowers", " Tea Errors", " Today Today", " Sweetia")į♯5 (" Baby Hotline", " Bacon and Eggs", " Bald Rainbow", " Behead It All", " Benny Tucker and the Ant", " Bothersome", " Buttercup", " Echo Co Co", " Ivory", " Junk Bat", " There's Something Happening")į5 (" Blessed Act", " Coconut Ranger", " Dinner Is Not Over", " The Diverge", " Fighter", " Finale", " Keyman", " Mirror Man", " My Plea", " Two Time", " The Walking Song", " We See You, Opal (Reprise)")Į5 (" 4379", " Bermuda Barb", " Cheeseburger Family", " Christ Potion", " The Claw", " Cooking With Abigail", " Dead Weight", " Deploy", " Freefall", " Great Lake", " Ivory", " Jock", " Love Bug", " Milk", " Paper Towels", " Pizza Boy", " Out of the Box / Out the Ox", " Pressed Flowers", " Seltzer", " Smooth", " Stutter", " Sweetia", " Those Eggs Aren't Dippy", " TV Shell", " Underneath")Į♭5 (" Apricot", " Behead It All", " Candy Eyes", " Cheese", " Cruise Control", " Dog Nightmare", " Howdy!", " Leopard", "Ms. G♯5 (" Drink and Drive", " Trust Flower") (2020) Jack Stauber's OPAL (Original Soundtrack): G2 - A4 - G5ī5 (" Drink and Drive", " I Want Those Cars")Ī5 (" Bald Rainbow", " Epoch Elliptic", " I Heard Ya") (2020) Dinner Is Not Over / There's Something Happening / Keyman / Cupid: G2 - B♭4 - F♯5 (2019) Deploy / Those Eggs Aren't Dippy / Out the Ox: G2 - B4 - E5 (2019) Baby Hotline / Tea Errors: E2 - B4 - G5 (2019) The Ballad of Hamantha / Today Today / Al Dente: F2 - G4 - G5 (2018) Cheeseburger Family / Fighter: A2 - G4 - F5 With all of that said, his voice and music (particularly his later releases and "micropops", as he calls them) have maintained their own charm, and have definitely left their mark on the microgenre they belong to. If you haven't been able to tell, it's hard to say much definitively about his voice just by virtue of how he puts it to use. As a whole, Jack seems to be somewhat lower-placed, tending to sound most comfortable around the lower third and upper second octaves, but still having a fairly expansive high range to match, both in terms of belting and falsetto. Jack takes on a wide variety of voices throughout much of his music, from breathy-sounding lows to soft head voice to high, yelpy falsetto, and everything in between. Jack's voice more or less fits the same style as his music, that is to say it tends to be erratic and flexible. As one of many among a rising aesthetic featuring unusual and sometimes bizarre imagery and music (names such as Bill Wurtz and Lemon Demon come to mind), Jack has managed to stand out with his specific brand of "weird", gathering a rather large audience by Internet standards and having a few videos and songs go viral in the process. His signature sound, so to speak, is a strange mix of nostalgia-laden synthpop and bedroom pop, with some traces of folk and indie rock thrown in occasionally. The one word I would think to describe Jack Stauber as is "distinctive" no matter what you might think about what you're listening to, you know for certain that it's him.
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